“ON ABOLITION OF ENGLISH DEPARTMENT” NGUGI WA THIONGO 1938-2025
•Introduction of Ngugi wa Thiongo
•Introduction of essay
•Problems with existing English Department
•Politics of language and literature
•Call for decolonization
•Proposal of Abolishment and Replace
•Objectives of the new literature department
•Conclusion
•On abolition of English Department notes
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Ngugi wa Thiong’o a renowned Kenyan writer, scholar, and post-colonial
theorist, widely regarded as one of Africa’s most influential intellectuals.
Born: january 05, 1938, Kamirithu, Kenya
Died: May 28, 2025,Buford, Georgia, United States
•Began literary career writing in English, later made a radical shift to
writing in his native Gikuyu language as an act of cultural and political
resistance.
•Known for novels, essays, and plays that critique colonialism,
neocolonialism, and cultural imperialism.
•Powerful advocate linguistic decolonization.
•He has taught major universities around the world, including Yale, New
York university, and the university of California, Irvine.
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Introduction of Essay
NgÅ©gÄ© opens the essay by presenting the context: it’s 1968, and Kenya (and
much of Africa) has gained political independence. The University of
Nairobi like many African institutions is still running its English
Department based on colonial models.
"What should the content and structure of a university literature department
be in a newly independent African country?“
•Introduces the theme of Decolonization (political, educational and
cultural)
•This essay is not just critique, but a proposal for constructive change
•Tone and Style Bold and confrontational. Clear, academic, yet accessible.
• A literature department should reflect the cultural, historical, and
linguistic realities of its students, not promote a foreign worldview that
alienates them from their roots.
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Problems with existing English Department
Ngugi criticizes the structure and content of the existing English Department at the
University of Nairobi
1. The English Department is a product of colonial education. It was designed to
impose British culture and values on colonized students. Even after independence,
it continues to teach students to admire English culture while ignoring their
own.“The study of English literature was given central importance, while African
literature and languages were marginalized or ignored.”
2. Students are taught Shakespeare, Milton, Chaucer, etc., but not African oral
literature, Swahili poetry, or local storytelling traditions. As a result, African
students become disconnected from their own heritage. They learn to value foreign
ways of thinking and see their own culture as inferior.
3. British literature is seen as high and universal. African literature is seen as tribal or
primitive, if it is considered at all. This promotes a racist, Eurocentric view of
culture and literature.
4. The syllabus focuses almost exclusively on British authors. There's no room for
studying African, Caribbean, or even other postcolonial literature. It reflects the
imperialist belief that only English literature is worth studying deeply
Key Idea: English Department is not neutral, it upholds colonial values. This is
why it should be abolished and replaced with something culturally relevant.
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Politics of language and literature
Role of language in shaping identity, culture, and power language is not neutral, it
carries culture, memory, and worldview. Therefore, literature in English (a colonial
language) continues to impose foreign values on African minds
1. Language is the carrier of a people's culture, values, and worldview. When African
students study only English literature, they also absorb English ways of thinking.
African languages are rich in wisdom, but are ignored or looked down upon in
formal education. “Language carries culture, and culture carries the entire body of
values by which we come to perceive ourselves and our place in the world.”
2. When students only read British literature, they begin to identify with British
characters, history, and morality. They stop seeing themselves reflected in literature.
This creates cultural inferiority, a form of mental colonization.
3. English becomes the language of the elite, of education, of “proper” knowledge.
African languages are excluded from academia, making them seem unworthy or
backward. This separation divides people and enforces colonial hierarchies even
after independence
Key Idea: Language is not just a tool of communication it is the foundation of
how we think, live, and define ourselves. If Africans are taught only in English,
they will continue to live in mental slavery.
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Call for Decolonization
He argues that African education must break away from colonial structures and instead build
something rooted in African history, languages, and cultures.
1. The existing system is built to serve colonial interests to produce Africans who admire
the colonizer’s culture. African literature and experiences are treated as inferior or
irrelevant. This must change not through minor reforms, but by dismantling the entire
framework.
2. Education should reflect the lives, histories, and struggles of African people. African
students must study their own literature, oral traditions, and languages as central, not
optional. This creates pride, connection, and intellectual freedom.
3. Literature is not just for entertainment or aesthetics. It can be a weapon of liberation,
helping people understand their oppression and imagine freedom.
4. Political freedom is not complete without cultural freedom. As long as Africans continue
to think in colonial languages and admire colonial literature, they are still mentally
colonized. Education must aim for total decolonization; mind, language,and imagination.
Key Idea: “We must reject the domination of foreign culture and reclaim our own. True
freedom begins with the liberation of the mind.”
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Proposal of Abolishment and Replace
Abolish the English Department and replace it with a new, inclusive Department of Literature.
This proposal is not just symbolic it is a complete rejection of colonial academic structure and an
invitation to build an African-centered literary education.
1.The English Department, by name and nature, privileges British literature and European culture.
Reform is not enough complete removal is necessary to create space for true change.
2.Ngũgĩ proposes a Department of Literature with equal emphasis on all literatures; African,
Asian, Caribbean, Latin American, and European. A structure that allows African literature and
oral traditions to be at the center, not the margin. A curriculum that studies literature in its
historical and social context, particularly in relation to African realities.
3.Multicultural and multi-perspective approach, rather than Eurocentric. Interdisciplinary: linking
literature with history, sociology, philosophy, and politics. Study of both oral and written forms of
literature.
4.Literature should help students understand history of colonialism, their struggles for freedom,
their present cultural challenges. It should connect with the everyday lives of African people, not
isolate them in foreign ideals.
Key Idea: “We are not rejecting English literature, but rejecting its privileged position. We
demand a literary education that begins with ourselves.”
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Objectives of the new literature department
Aims, goals, values, and guiding principles of new literature department
1.New department must place African literature both oral and written at the heart of its
curriculum
2.Literature must not be treated as a timeless, abstract art, but as a living response to
historical and social forces. For example, African literature should be read alongside the
colonial and anti-colonial struggles, liberation movements, and local traditions.
3.The department should still study European, Asian, Caribbean, and Latin American
literature — not to reject them, but to study them critically and comparatively.
4.African oral traditions like folktales, proverbs, praise poetry, and storytelling should be
respected as literary forms. African languages should be used as mediums of instruction and
literary study, not just
5.Literature must play a role in nation-building. It should help students understand their
cultural identity, analyze social problems, and imagine a better future. It should inspire
critical thinking, creativity, and social responsibility
Key Idea: “Literature must grow out of the soil of African reality — from the voices of its
people, the rhythms of its languages, and the pulse of its history.”
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Conclusion
In this final part, Ngũgĩ brings all his arguments together and makes a powerful conclusion. He emphasizes that true
independence goes beyond politics it must involve a deep cultural and intellectual transformation. He urges African
universities, especially literature departments, to become agents of liberation, not tools of continued colonial
domination.
Ngũgĩ insists that education is never neutral it either liberates or enslaves. Colonial education was designed to enslave
African minds, and if unchanged, it will continue to do so .Universities must take active responsibility in shaping free,
conscious, culturally rooted citizens.
Literature plays a key role in shaping people’s values, imagination, and understanding of the world. It can either uphold
colonial ideas or resist them. The new literature curriculum must be used to nurture critical, liberated, and self-aware
African thinkers.
Political freedom is meaningless without mental freedom. As long as Africans think through the lens of colonial
languages, literature, and values, they remain mentally colonized. The university must help African students reclaim
their cultural identity, languages, and pride.
Ngũgĩ ends with a clear call to action, abolish colonial departments that center English culture. Build African-centered
institutions that reflect African realities. Use literature and education as tools of liberation, not imitation.
The struggle for decolonization must happen in the classroom as much as in politics. Education must become a
liberating force, and literature departments must be remained to serve the needs of African students and society
“The classroom must become a battlefield for the decolonization of the African mind.”
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