In a Station of the Met by Ezra Pound Explanation Line by Line In Urdu and Hindi

 “In a Station of the MetEzra Pound 1885–1972

Ezra Pound's Biography

Publication , Structure, Meter and style of the poem

Summary of the Poem

Text of the poem, Critical Appreciation

Themes in the poem

Symbols and Literary Devices used in the poem

In

Urdu and H

Lecture by Uffaq Zahra www.bseln.com for free notes PDF

Ezra Weston Loomis Pound regarded as one of the most important pthe 20th century and a leading voice of modernism. Pound foundedImagist movement, which promoted clarity, precision, and economylanguage in poetry. Although American by birth, he spent most of hEurope.

Born: October 30, 1885, in Hailey, United States.

Died: November 1, 1972, in Venice, Italy.

The poem “In a Station of the Metro” is Ezra Pound’s shortest poempublished in 1913 and later included in Ezra Pound’s collection Lust(1916). It is considered the best masterpiece of Imagism, as it captbrief moment in a metro station with clear, sharp, and powerful im

Lecture by Uffaq Zahra www.bseln.com for free notes PDF

Meter, Rhyme and Style

Written in free verse, without regular meter or rhyme.

Follows the Imagist style, using brevity and a haiku-like intensity to presvivid image.

Setting of the Poem

The poem is set in a Paris Metro station, where the poet observes a crowpeople emerging from a subway train. Instead of describing the scene litPound presents an impression — the way the faces struck him in that moSummary of the Poem

The poem describes how faces in a crowded Metro station reminded Poudelicate flower petals scattered on a wet, dark branch. Instead of explaincomparison, the poem presents both images side by side, leaving the reasense the connection. The urban scene and the natural image combine tobeauty in unexpected places, even in the middle of a busy city.

Lecture by Uffaq Zahra www.bseln.com for free notes PDF

Imagism in the poem

Imagism was a literary movement in early 20th-century poetry, led Pound and poets like H.D. (Hilda Doolittle) and Richard Aldingtonto break away from long, vague, and decorative Victorian poetry byon clarity, precision, and strong images.

Main principles of Imagism:

1. Present the thing directly — no unnecessary explanation.

2. Use as few words as possible — economy of language.

3. Write in free verse, guided by rhythm of thought, not strict meteEzra Pound’s “In a Station of the Metro” is a perfect example: it casingle sharp image (faces in a crowd compared to petals) and leavemeaning to the reader.

Lecture by Uffaq Zahra www.bseln.com for free notes PDF

Text of the Poem Line By Line Explanation

The apparition of these faces in the crowd;

Petals on a wet, black bough.

In the first line, “The apparition of these faccrowd,” Ezra Pound describes how human fappear before him in the busy metro statioor fleeting vision. The word apparition showis brief and almost spiritual, as the faces stamoment and then vanish back into the mas In the second line, “Petals on a wet, black bcompares these faces to delicate flower petagainst a dark, wet tree branch. The petals beauty, freshness, and fragility, while the brepresents the dull and lifeless backgroundcity. Together, the two lines show how momcan suddenly appear even in ordinary, crow

Lecture by Uffaq Zahra www.bseln.com for free notes PDF

Themes in the Poem

Modern Urban Life: The setting in a Paris Metro station representsmodern city as crowded, noisy, and impersonal. The poem shows hbeauty can still appear in such a space.

Transience and Fleeting Impressions: The word “apparition” highlighuman faces appear suddenly and vanish quickly, just like a passingThis reflects how life in the city is experienced in short, fragmentedmoments.

Contrast between Nature and the City: Pound compares urban faceflower petals. The natural image softens the harshness of the modMetro, creating a bridge between industrial modernity and timelesbeauty.

Beauty in the Ordinary: The poem suggests that even in the most oor unattractive places (a subway station), one can find moments ofbeauty.

Lecture by Uffaq Zahra www.bseln.com for free notes PDF

Literary Devices in the Poem

Imagery: Vivid pictures: ghostly faces in the crowd, delicate petalwet, black branch.

Metaphor: The faces are directly compared to petals. This single metaphor holds the whole poem together.

Juxtaposition: Two very different scenes — a Metro station and abranch — are placed side by side, allowing the reader to find meatheir contrast.

Symbolism:

– Faces symbolize individuality in the crowd.

– Petals symbolize fragility and beauty.

– The wet, black bough symbolizes the heavy, dark background ofmodern life.